How To Draw Stone Texture With Pencil

Creating Textures with Lines and Strokes

As you commencement to draw from nature, you will want to betoken textures such as stone, wood, grass, shingles, etc. Not only will this give your drawings authenticity, but it will too add liveliness and interest. Think, however, that you are non copying an object, but indicating it—this ways that yous exercise not want to strive for a photographic re-create, just, you do desire to combine values and strokes to simulate the quality of the object's texture. When lines and tones are combined, you lot achieve the patterns necessary to describe convincing subjects (see beneath and following folio). Creat ing textures with the apply of lines, non tones, is shown hither: A jagged line (A) using a vertical motion and varying the pressure. A jagged line (B), just using merely a horizontal move, also varying the pressure. Large, curved, continuous line (C) with a rounded point. A finger line (D), small curves, varying the pressure level. Long arcs (E), nighttime with pressure level, small areas changing management, and lighter pressure. Short, curved strokes (F) from bottom to top. and varying the pressure and direction. Longer, curved strokes (G) from lesser to top, combined with long arcs. Brusk, straight strokes (H), slightly varying the management. Very short strokes (I), becoming wider autonomously, shorter, with less pressure as it gets lighter. Jagged, vertical strokes (J) moving downward so support without lifting the pencil from the paper. A continuous jagged line (K), varying the pressure level. Very short strokes (L), becoming longer, and using more pressure as they get darker. Short strokes (M), varying the pressure from left to correct. Long irregular lines (N), apartment bespeak, with less force per unit area on the right. Short angle lints (O), varying the pressure, moving from top to bottom.

Pencil Drawing Texture

Here is a closeup sit-in of how various strokes and combinations of strokes can be used to signal the textures of shingles, grass and trees. Don't endeavor to depict a complete picture, merely pick out close-up views of different subjects.

Shingles Pencil Drawing

Shingles made with a combination of strokes from the previous page: (0) curt angle lines, varying the pressuio, moving from elevation to bottom; (K) curt strokes, varying pressure from left to right: and (B) a jagged line but using only a horizontal movement, also varying pressure.

Grass in the fields made with strokes from the previous folio: (F) short, curved strokes from bottom to peak, varying the pressure and management; (H) brusk, direct strokes, slightly varying the direction; and (E) long arcs, nighttime with pressure, small areas changing direction, and lighter pressure.

Drawing Tree Trunk Texture

Tree trunk using strokes from the previous page: (O) brusk bending lines, varying the pressure, moving from superlative to bottom; (J) jagged, vertical strokes moving down and and so back up without lifting the pencil from the newspaper: and (Due east) long arcs, dark with pressure, small areas changing direction, and lighter pressure.

Pencil Drawings Lines Pictures

Seeing the Mural as Values

Suppose you lot are cartoon a greyness barn of the fifth value against a mountain of Ihe fourth value and a foreground of the sixth value. If you make all the values equally they are, information technology will exist a pretty monotonous drawing. (If y'all are having difficulty with values, review the value charts on pages 12-xiii.)

Pencil Drawings Mountains

Now start to change the values. Make the barn a 7th value, the mountains a 3rd value, and the foreground a 5th value. Observe how you are at present getting some separation and interest.

Pencil Drawings Separation

Go a pace further and make the barn a tenth value, the mountains a 0 value, and the foreground a fifth value. Yous now have the widest range of values possible. There are a variety of value arrangements you can brand in whatsoever drawing. It is up to you to decide where y'all want the emphasis and what upshot y'all want to achieve.

E GLOUCESTER

In this drawing the values are exactly as the creative person saw them. The values are the darkest in the foreground and lighter in the distance. He drew this one on the spot.

Creating Texture With Pencil

Again, the artist changed the values. This time he made the middle distances the darkest value. This system is not every bit constructive as the other ii, since it gives an unnatural change of values. There should be a cloud that casts a shadow over that expanse, but information technology is non likewise likely.

This is the same scene as above, only here he inverse the values. He inverse the groundwork from the lightest to the darkest value. Detect that by changing values, you can obtain a different emphasis. At that place is never only 1 way for values to be right. Experiment past changing the values until yous arrive at the nigh effective limerick.

WAZ^

Continue reading here: Edifice Your Kickoff Drawing

Was this commodity helpful?